One of the best things about digital SLR cameras and higher-endpoint-and-shoot cameras is the ability to shoot in RAW mode. RAWimages give you uncompressed, data-heavy versions of your digitalphotos ...

One of the best things about digital SLR cameras and higher-end point-and-shoot cameras is the ability to shoot in RAW mode. RAW images give you uncompressed, data-heavy versions of your digital ...

Sony’s recent release of multi-codec cameras (the F5 and F55) is a reminder that there is no such thing as the ideal codec. Not only do the cameras support RAW and existing codecs, but Sony introduced ...

ARRI has added in-camera support for Avid's DNxHD codec for its Alexa camera range. The ability to record native Avid DNxHD, as MXF files in-camera, delivers a streamlined workflow for the ...

The internet is full of camera tests, particularly ones that test codec compression. But you can't test this in the ways that it is often thought you can. Why would someone shooting a camera test want ...

Nikon today announced its first cinema camera, the Nikon ZR. Made in collaboration with the Red, which was acquired last year, the ZR brings Red's codecs and color science to the Nikon Z series. The ...